101 Greatest Industrial Songs of All Time Part 1.

OK, so if you are reading this blog you probably know that “electronic” music and all of it’s vast influences and diversities inspire me constantly and are pretty much the foundation for which I’m build on.  I credit The Beatles “Revolution #9″ and The Steve Miller Bands “Winter Time” for wanting me to sample and work with synthesizers.  Well my friend and label owner David Schock of WTII Records out of Chicago has taken on a huge task.  He sent out ballots to 260 different individuals all around the world to come up with a list of the 101 Greatest Industrial Songs of All Time.  He has been posting the lists over on his Facebook page but I was thinking this is too good not to share with the rest of the world, so I thought I would use my platform here to spread some love.  As David has said, if you want to learn more about these artists, check out YouTube, the artists websites, the label websites, purchase their MP3s, support the musicians that made this list.  So with out further ado here is the first part of the list.

 

3648.Sleepchamber – Salome 5-1-5

3649.Telepherique Intelstat – IV-Generation 5-1-5

3650.Throbbing Gristle -  After Cease to Exist 5-1-5

3651.Torchsong – Prepare to Energize 5-1-5

3652.23 Skidoo  – Kundalini 4-1-4

3653.Abcess  – The Same 4-1-4

3654.Acumen Nation  – Parasite Mind 4-1-4

3655.Acylum – Raise Your Fist 4-1-4

3656.amGod – Fight 4-1-4

3657.Burn  – It’s Gone 4-1-4

3658.Celldweller  – Eon 4-1-4

3659.Deathline Intl  – Open Your Eyes 4-1-4

3660.Decoded Feedback  – Passion of Flesh 4-1-4

3661.Download – Affirmed 4-1-4

3662.Gencab – Let It Be 4-1-4

3663.He Said Watch..- Take Care 4-1-4

3664.The Horrorist Born this Way 4-1-4

3665.Infact – Fatal Error 4-1-4

3666.Inside Treatment – Black Expression 4-1-4

3667.Lard – I want to be a drug sniffing dog 4-1-4

3668.Mark Van Hoen – Channel of Light 4-1-4

3669.Master Program – Central Europe 4-1-4

3670.Mike Oldfield – Crises 4-1-4

3671.Mortiis – The Grudge 4-1-4

3672.Otto Von Schirach – Roachmotel 4-1-4

3673.Peaches – Operate 4-1-4

3674.Powerman 5000 – When Worlds Collide 4-1-4

3675.Red Flag – If I ever 4-1-4

3676.Vampire Rodents – Clockseed 4-1-4

3677.X-Rx – Industrial Rave Revolution 4-1-4

3678.Zeromancer – Need you Like A Drug 4-1-4

3679.Code Industry – Suffer 3-1-3

3680.Creatures – Fury Eyes 3-1-3

3681.Dead When I found Her – Subject Reject 3-1-3

3682.Din Fiv – Pisschrist v2 3-1-3

3683.Dismantled – On Your Knees 3-1-3

3684.Evil’s Toy – The Concrete Garden 3-1-3

3685.The Fair Sex – Alaska 3-1-3

3686.Forma Tadre – Serpent Chamber 3-1-3

3687.Full Frquency – Taste 3-1-3

3688.Gencab – Expired Inside 3-1-3

3689.Imminent Starvation – Lost Highway 45 3-1-3

3690.Individual Totem – WWW 3-1-3

3691.In Strict Confidence – Dementia 3-1-3

3692.The Irritum Boys – Young Girls 3-1-3

3693.iVardensphere – Calibrating the god Machine 3-1-3

3694.Kalte Farbin – Gone 3-1-3

3695.Meat Beat Manifesto – Mars Needs Women 3-1-3

3696.Mdfmk – Witchunt 3-1-3

3697.Neon Judgement – Concrete 3-1-3

3698.Radio Free Europe – It Likes You 3-1-3

3699.Re/Act – Virtuak Symmetry 3-1-3

3700.Real Life – Send me An Angel 3-1-3

3701.Schwarzblut – Das Mandat 3-1-3

3702.Sisters Of Mercy – 1969 3-1-3

3703.Skinjob – Man 3-1-3

3704.Smiths – How Soon Is Now 3-1-3

3705.S.P.I.T – Stick yo Cock 3-1-3

3706.Tackhead – Airborne Ranger 3-1-3

3707.UnterNull – The Clock is Ticking 3-1-3

3708.Vein Cage – Sleep 3-1-3

3709.Vromb – Gigantisme 3-1-3

3710.X-fusion- Bouncer at the Pearly Gates 3-1-3

3711.X-fusion – Rotten To The Core 3-1-3

3712.Zombie Girl – We Are the Ones 3-1-3

3713.Emf – Lies 2-2-1

3714.2nd Communication – Mambo F**ker 2-1-2

3715.Alice Cooper – Brutal Planet 2-1-2

3716.Brain Leisure – Discipline US 2-1-2

3717.Chris Connelly Candyman Collapse 2-1-2

3718.The Cure – Fascination Street 2-1-2

3719.Diary Of Dreams – Soulstripper 2-1-2

3720.Die Warzau – Dying In Paradise 2-1-2

3721.Dubok – Dense 2-1-2

3722.The Gothsicles – Drunk Cuts 2-1-2

3723.Grendel – End of Ages 2-1-2

3724.Hooverphonic – Shake the Disease 2-1-2

3725.I:scintilla    – The Bells   2-1-2

3726.Kompressor Kompressor – does not Dance! 2-1-2

3727.Nachtmahr – BoomBoomBoom 2-1-2

3728.Pigface – Santify 2-1-2

3729.Plateau – White Window 2-1-2

3730.Razed In Black – Master 2-1-2

3731.Razed In Black – I’ve Suffered Long Enough 2-1-2

3732.Shinjulko Thief – Showered In Glass 2-1-2

3733.Skinny Puppy – Who’s Laughing Now 2-1-2

3734.Stromkern – Notes From A War 2-1-2

3735.Vast – Pretty When You Cry 2-1-2

3736.Virtual Embrace – F**k You 2-1-2

3737.Wire – Ambitious 2-1-2

3738.Acumen Nation – Ventilator 1-1-1

3739.Allied Vision – All The Dead 1-1-1

3740.Ayria – Bad List 1-1-1

3741.BlutEngel – Soul Of Ice 1-1-1

3742.Combichrist – Electrohead 1-1-1

3743.Convertor – Monster 1-1-1

3744.Cure – In Between Days 1-1-1

3745.Cut.rate.box – Ego 1-1-1

3746.Evil’s Toy   – Co-Existence   1-1-1

3747.The Gothsicles – My Guy Died 1-1-1

3748.Haujobb – The Noise Institute 1-1-1

3749.Icon Of Coil – Android 1-1-1

3750.Mike Oldfield – Tubular Bells 1-1-1

3751.Muse – Uprising 1-1-1

3752.Neikka Rpm – Demonbreeder 1-1-1

3753.Orange Sector – Fascination 1-1-1

3754.Panzer Ag – Monster 1-1-1

3755.Pigface – Insemination 1-1-1

3756.Prayer Tower – Temptation 1-1-1

3757.Recoil – Incubus 1-1-1

3758.Retrosic – Total War 1-1-1

3759.Seraphim – Shock Relic 1-1-1

3760.Sheep On Drugs – Track X 1-1-1

3761.Soman – Wanted 1-1-1

3762.Vomito Negro – Feel Like Heat 1-1-1

3763.World Domnation Enterprises – Asbestos Lead Asbestos 1-1-1

3764.X-Marks the Pedwalk – Drawback 1-1-1

3765.The Young Gods – Our House 1-1-1

3766.Acumen Nation – Mike .5-1-.5

3767.Agonoize – Running .5-1-.5

3768.Apoptygma Berzerk – Suffer In Silence .5-1-.5

3769.Autechre – Acroyear II .5-1.5

3770.Backlash – Lodestar .5-1-.5

3771.Caustic – This Track Will Get Skipped A Lot .5-1-.5

3772.Cervello Elettronico – Demonize .5-1-.5

3773.Der Blutharsch – Time is thee enemy .5-1-.5

3774.Diary of Dreams – Bladerunner .5-1-.5

3775.Emf – Unbelievable .5-1-.5

3776.Fear Factory – Powershifter .5-1-.5

3777.Front Line Assembly – Future Fail .5-1-.5

3778.Geza X – Isotope Soap .5-1-.5

3779.God Module – Spooky .5-1-.5

3780.God Module – Resurrection .5-1-.5

3781.The Gothsicles – English Licence .5-1-.5

3782.Hate Dept – This Doggy Bites .5-1-.5

3783.Hmb – Wanted .5-1-.5

3784.Idiot Stare – Mad Drunk .5-1.5

3785.Janet Jackson – Rhythm Nation .5-1-.5

3786.Kmfdm- Zip .5-1-.5

3787.Mangadrive – Fear Bomb .5-1-.5

3788.Mark Stewart – The Lunatics are Taking Over the Asylum .5-1-.5

3789.Martika – Toy Soldiers .5-1-.5

3790.New Mind – Onezero8 .5-1-.5

3791.PTI – Icons .5-1-.5

3792.Ramleh – Fistf**k .5-1-.5

3793.R. Bud Dwyer tendering his resignation from a paper bag in front of rolling cameras. .5-1-.5

(see Filter’s Hey Man Nice Shot if you don’t know who R. Bud Dwyer is!)

3794.See Colin Slash – You and Your Commie Friends .5-1.5

3795.Slick Idiot – Merci Beaucoup .5-1-.5

3796.Thomas Leer and Robert Rental – Attack Decay .5-1-.5

3797.Xorcist – Pretty .5-1-.5

3798.Honorable Mentions, no particular order:

Adrian Sherwood. In the producer’s chair his aggressive experimentalism was so far beyond most

producers that he created his own sound, one that fused Dub, Noise, Punk Rock, Musique Concret and

Reggae into confounding and sonically disruptive collages masquerading as songs. Sherwood helped

spawn Mark Stewart And The Maffia, Gary Clail, Tackhead, African Head Charge, Fats Comet,

Missing Brazilians and so many more as well as producing NIN, Ministry, Neubauten, Depeche Mode

etc. I put him under the same aegis as I put Miles. It’s pretty much impossible to pick one single song

from the catalog of material that Sherwood was involved in (Tackhead’s ‘Barmy’, Clail’s ‘Hard Left’,

NIN’s ‘Ringfinger’, Ministry’s ‘Crash And Burn’ and on and on). So I just include the man.

 

Miles Davis. The much-maligned ‘Dark Magus’ in particular though ‘Bitch’s Brew’ must enter as well.

 

Caspar Brotzman Massaker – Schwartze Folklore.

 

Nervous Gender/Huge Killer Ships.

 

Part 2 coming up in a jiffy!

Posted under Music

This post was written by Gabe Wilkinson on February 13, 2012
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Saltillo – Monocyte Review

Artist: Saltillo

Album: Monocyte

Genre: Trip Hop, Industrial, Gothic

Label: Artoffact Records

Recommended for fans of: COIL, Tricky, Love Spirals Downward, John Bergin

Rating: 5 out 5

 

Quite honestly this has been my favorite record this year so far hands down.  Seriously, I’m trying to think of another record that I’ve enjoyed this much and nothing comes close yet.  This is an album that is a companion piece to a comic that the musician and artist did himself, but I must be honest I’ve only just skimmed the comic book so far, I’ve been so deeply engrossed in this album that I can’t quite get past this beautiful piece of work.

What I find most intriguing about this album is that he doesn’t need lyrics to convey his message or his ideas, the music the timbre, the samples, the programming all speak volumes.  If Trent Reznor can get an Oscar for his sound design then surely menton3 can find his place in this business to do the same, and if he doesn’t this will be criminally over looked by the art community in whole.

What this album does is take you on a ride from beginning to end, using dynamic sounds to capture you, it could be easy background music or something you could just play and forget about while you focus on other more important things, but the subtle melodies and haunting female vocals grab you by the ear and lead you on a journey.  This album is a journey from beginning to end.  It’s engaging, haunting, beautiful and inspiring all at the same time.

A lot of times the albums I review are really for a certain audience or for a certain brave person who likes to take risks, but this album I could as easily recommend to my mom as I could to my 13 year old niece.  It’s like classical music, modern classical music with solid beats and excellent use of melody.

So now that I’ve gushed enough about the music how is the production you say?  Absolutely amazing.  Some of the best production I’ve heard in this genre in a long time.  Every thing is solid, you can hear every instrument, every note and every range.  Simply put this album is the first flawless record of 2012 for me.

So do yourself a favor, walk, nay RUN to your local record store, web store or Storming the Base to get your copy of this record today!  You will not be sorry and if you are leave me comments below.

 

A copy of this record was provided to me from Artoffact Record for review purposes.

Posted under Album Review, Music

This post was written by Gabe Wilkinson on February 3, 2012
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[:SITD:] – Icon:Koru Review

Artist: [:SITD:]

Album: Icon:Koru

Genre: Industrial, EBM

Label: Metropolis Records

 

This is my second [:SITD:] record that I’ve listened to now and I’m still on the fence on whether or not I like them.  I will freely admit that I’m kind of old school with my industrial and I’m not always really into this new stuff they call EBM.  My biggest compliant with this is that it all starts to sound the same after awhile.  You aren’t sure who is who in the genre.  [:SITD:] falls victim to that too many times.  They don’t very it up enough to make it sound more interesting than anyone else doing what they are doing.  That is really my biggest complaint on the whole thing.  From a production and musician standpoint these three are on solid ground.  It’s well mixed and has some really nice melodies that contrast the harsh vocals.  Speaking of the vocals they are mixed squarely in the front of the music, and sung in a combination of both German and English.  Again not really a complaint for me since I’m used to listening to music sung in many different languages!

What we have here is a solid release in the EBM genre but it doesn’t really have a lot of meat on it’s bones.  I’m not much of a lyric guy and honestly when they are singing in German most of the lyrics are lost on me so whether or not this record possess some deeper meaning is beyond me, but musically I just wish it had more teeth and less repetitious sounds and themes.  After awhile it feels like this is beating a dead horse, or a one trick pony.  Maybe next time they will expand their sound a bit more.

I recommend this for fans of the genre and bands like Front 242.

2.5 Stars out of 5

 

I was given this MP3 download from Metropolis Records.

Posted under Album Review

This post was written by Gabe Wilkinson on January 17, 2012
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Free Music that’s Worth more than Nothing…

This morning I got a message in my inbox from a friend of mine.  Mr. Boom Paige of the band Society Burning and in it he asked me if I could spread the news that Society Burning is giving away their latest record for free.  No I get lots of messages like that so what’s different about this one?  Well for one.  Society Burning are one of the bands that really inspired me in my late teens and early 20′s (I can’t believe how old I am…).  They write really good coldwave songs about the world we live in and the society we are in.

 

Back when I was just a youngster one of my favorite labels out there was ReConstriction Records.  Chase at ReConstriction was the bomb.  So much great music came out of there including the Operation Beatbox compilation that had coldwave/machine rock/industrial bands on it doing covers of hip hop songs.  MTV even mentioned it playing a bit of Numb’s cover of Salt N Peppa’s Push It.  If you haven’t heard Don Gordon’s version of it you should probably check it out cause it rules beyond all rules.

 

Any who, I got off point, so here’s the deal.  I want you to go to Society Burning dot Com and get yourself a copy of the rekkit.  Then head on over to their facebook page and like it.  Tell them I sent you.

 

So lastly why am I supporting this record?  Well the biggest reason is cause I’ve had it for awhile, I actually bought it the day it came out.  Yes, despite the fact that I get tons of promos all the time I do buy music when I believe in it and I believe in Society Burning.  So get yourself a copy today, absolutely free and tell Twitch, Boom and Daveoramma that you believe in them too.

Posted under FREE STUFF, Music

Hate Squad – Katharsis Review

Artist: Hate Squad

Genre: Metal

Album: Katharsis

Recommended if you like: Napalm Death, Machine Head

Explicit Lyrics

Rating: 3 1/2 Stars out of 5

 

One of my New Years Resolutions is to review material as soon as it comes across my desk and so this morning this came across my desk via me email inbox so I sat down with it and gave it a spin.

 

So 2012 is starting out pretty swell actually.  Katharsis is the sixth album by one of Germany’s underground metal heroes.  They’ve shared the stage with some of the top names in metal and played some of the biggest festivals while keeping themselves truly independent.  They recently signed to Massacre Records and are getting ready to unleash their latest assault of metal meets hardcore.

With guttural vocals and slashing guitars I was pleasantly surprised that this wasn’t just a one trick pony out of the gate.  The production on this is top notch and kept my interest through out the run time of the record.  Although the run time did get a bit long in the tooth for music of this nature.  Although the final song was different enough from the rest of the album to really inspire the listener to finish it out.  What I liked best about Hate Squad’s newest album was how it reminded me of other bands that I really like.  You could easily hear the influences from Napalm Death in there and even at moments it felt like I could hear bits of Monster Voodoo Machine (now there’s a blast from my musical past).

While the album does tend to get a little bit stagnant with the same kind of tones and lack of real dynamics from song to song, that shouldn’t let listeners of this kind of music to be put it off by it.  There is enough here to keep most metal fans happy while treading on a little new ground here and there.  I was pleasantly surprised by this release and I look forward to what these metal maniacs bring for the audience in the future, I’d also like to get my hands on their remix EP as well.  :)

 

Posted under Album Review, Music

Surrounded by Monsters Interview

Howdy All!

Long time no talk eh?  Well the first really part of the season with my real job is done so now I can get back to spending a little more time with my blog!  I’m glad you all are still reading.  First up an interview I orginally did back in May with Traci Parson of Surrounded by Monsters.  I saw their video on YouTube and automatically got in contact with the band.  Two brilliant things about this band.  #1 their music rocks.  #2 they are an unsigned band and I like to focus on unsigned bands when I can.  So here ya go!  A nice interview with Traci from Surrounded by Monsters!

Posted under Uncategorized

This post was written by Gabe Wilkinson on December 14, 2011
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TCM Remembers…

I thought this was really cool and I really like the music so I thought I would share with you all. Enjoy.

Posted under Video

This post was written by Gabe Wilkinson on December 14, 2011
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Cylab Interview

Tonight the Cedar Valley has the honor of having the New York/Seattle band Cylab in our presence at Stages Live in Waterloo.  A new club that just opened up in the former Butt Uglies building.  I wanted to give them a little press so here is what Percy and I talked about.

 

Percy Trayanov

  • 1. How did Cylab get it’s start?

    Towards the end of 1999 back in Seattle, I started writing some material for my new project called Cylab, which turned out being the foundation of our first release “Unparallel Universe” . Severina and I have been friends and neighbors, at that point I was also giving her piano lessons. I had this song which in my opinion needed female vocals and I asked her to record some vocals. It literally took 20-25min and the song was done. The chemistry was obviously there, but for some reason at that point we didn’t go any further. Both of us had different things going on. Couple of years later I had basically the whole concept for Cylab figured out, Severina recorded a few more songs and we were both really happy the way things turned out. We both agreed that we should take things further.

    2. What influences you when you are writing?

  • Honestly, so many different factors. Anything from current emotional state to new piece of gear. I’ve never had a “recipe” for writing. It just happens. I also have pretty vast musical taste.

    3. Is it a collaborative process or do you do most of the writing and bring it to Dre and Severina to finish?

    For most parts, I do all the composing. Then sending it out to Severina for her to write the lyrics and vocal melody. Sometimes we do it separately, then end up exchanging files back and forth, others we get together, fly out to either Seattle or New York to record and brainstorm.

    4. In this day and age of downloading and torrents how do you feel about giving music away for free?

    This topic can go so many ways. As a musician, I have mixed feelings with torrents. It’s not about “let’s get it for free” or “well, i am sure they make enough money” but supporting the artist’s work. I had worked on an album for over 1 1/2 years. Next thing i know, it was available on a torrent site 1 week. It was a really disheartening feeling. On the other hand, this is reality. We all have to adapt. Then you have the other side, and that is having your music available with torrents to broader audiences. Recently, i am noticing increasing numbers of people buying music. See, i am the type of a person that misses record stores, where you can actually pick up and hold the CD or vinyl or DVD.
    I can talk about this topic for a while…how much time do you have?

    5. Do you make a living from your music or do you work a day job to make ends meet?

    Besides CYLAB, i play bass with Acey Slade & The Dark Party. Then i do work for hire as well.
    On the average, i have around 50-55 shows yearly. The music business has changed drastically from years ago, so at this point i do also have a day job, luckily in the music field. I also teach piano.

    6. Now that we have resources like Facebook, Record Union, Bandcamp and CD Baby do you think a label is necessary or do you think doing it all on your own is the way to go?

    There are labels and labels. I think smaller labels invest more passion,regard and will into the artist, unfortunately rarely they have any type of a capital to work with. Major labels have the capital, but all they are interested about is how much money they can make off you. Then you are no longer needed. The key is good distribution and booking agency.

    7. What do you hope to achieve with your music?

  • Oh, just global domination…haha.

    8. What is the most rewarding part of creating music?

    From writer’s perspective, i love listening to the final product. Also throughout the creative process, sound modeling, all the bits and pieces that sometimes make no sense by themselves, but when put together, they are inseparable. Also, another rewarding moment is when we perform at cities we have never been before, and see people singing along to our songs.

    9. Are you a hard synth kind of guy or a soft synth kind of guy when you are programming?

    I like and use both. The hands-on feel of the hardware is great. Soft synths have a lot to offer, too. At times I have to think what could be executed live as well. Naturally, i have a respectable arsenal of both kinds.

    10. What has been your proudest moment this far in your musical career?

    To be honest, i take everything i do musically serious. So being involved in different projects,every one of them carries its own pinnacle. With CYLAB i have to say that touring with My Life With The Thrill Kill Kult was a great experience, also performing with Covenant. With The Dark Party hands down touring with Ace Frehley was a childhood dream. Also touring with Combichrist was tons of fun. Then as a freelance musician, i got to perform with Virgin multiplatinum recording artist RBD for 10 TV show appearances. I can’t really gage them. Everything carries its own weight and won’t trade it for the world.

    11. Do you think it’s a dream that a musician today can make a living doing what we are doing these days?

    A dream? Not really. Has it gotten a lot harder…well yes. Does it have an expiration date? Yes. I have a lot of friends performing with bigger artists or freelancing and that’s all they do. It is possible. Is it consistant? Well… In my opinion, the most important thing is one to be happy with themselves. Gratification and fulfillment could be found in so many places.

Oh and by the way, my band Microwaved will be playing tonight as well as my buddy James in Mekanikal Soul and a very special guest DJ appearance by Dre Robinson aka Databomb aka DJ ShyZa who has worked the likes of not only Cylab but Download and Skinny Puppy too!

Posted under Interview, Local, Music, National Touring Show

This post was written by Gabe Wilkinson on October 12, 2011
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Lionize Interview

Greetings and Salutations Everyone!

Been awhile since I popped in with an interview for everyone.  Got a new one here.  Next week one of my favorite blues/rock/reggae crossover bands of the last few years will be making a stop in Cedar Falls at The Wheelhouse and I dug out this interview I did with them back in March after the release of their latest record.  I’m glad I hung onto this until now so we can do some fresh promotion on them.

The album is really really solid.  I highly recommend it for people who like music that isn’t easily classifiable but ultimately entirely accessible.  Think Sublime meets Texas Blues meets Clutch meets Bob Marley.  Yeah that may sound strange but it really really works when you put it all together.  So here is part one and two of my interview with Nate from the band.

And if that isn’t enough here is their video for “You’re Trying to Kill Me”.

 

So come on out and see them at The Wheelhouse next Tuesday night with Larry & His Flask and Safe Word.

Posted under Interview, Music, National Touring Show

SutureSelf – Evolve Album Review

Artist: SutureSelf

Album: Evolve

Genre: Industrial, Metal, Goth

Grade: B

Release Date: October 4th, 2011

Recommended if you like: Collide, Bella Morte, Evanescence

 

It’s always tough to review a friends album.  The line between being a friend and being a critic is always a very fine line.  You want to make sure that everyone is happy in the end.  Also, I must say in a moment of honesty, that I do have a vested interest in SutureSelf not only as friends with Brandon but also I’m working as A&R for the release of this record, so take that into account when you read this review.  It will be honest, but obviously I have an angle as well, don’t you wish politicians where this honest?

So here ya go.  SutureSelf, upon the first listen I was swept away by the atmospherics of the first track and the samples.  They seemed eerily poignant in this day and age of war and turmoil.  The main songwriter in SutureSelf Brandon Chase, himself is a veteran of our military and knows what it’s like to serve our country, adds a deeper level to the samples here.  The music finally kicks in.  What strikes me most on the listening of this record is the mixture of acoustic drums with the programmed drums.  At times it feels like they are at war with each other one trying to over power the other and a couple of times I actually thought I didn’t like what was happening but then they seemed to come together and mesh perfectly and create a thin red line between the two adding depth and a human element to a genre often times over run by sequencers and electronic drums.

I’m also really down with the vocals Ronay’s female voice completes the project nicely.  Balancing between the stabbing guitars and oscillating synthesizers.  Her vocals are mixed pretty far up front, and while that’s something I personally wouldn’t have done, I think it works for this album.  I’m also glad the Ronay decides to sing on this album and not try to be a screamer.  She let’s the music speak for itself and only compliments the melody, ton and timbre of the music as a hole.  My biggest complaint with the vocals is that at times they come across one dimensional and I would have liked to hear Ronay brand out a bit and push herself into different registers and try something new.  She’s got a wonderful voice and I’m glad they didn’t bury it under piles of distortion and reverb though.

As far as the bass and guitar go both seemed appropriately fitting for this genre.  The bass was never too over powering, in fact I believe it could have been mixed a little higher up in the mix.  The guitar work here is actually a bit more intricate than a lot of bands in this genre.  Single notes are heard and palm muted power chords are not the predominate guitar playing of choice.  I was surprise actually by the guitar work and I think when all is said and done it might be the most surprising part of the entire release.  The great thing about the guitar is that it’s EQ’d out to hit perfectly in it’s own world, but that also separates it from the music a bit more than I’d like.  I think a little extra bass on the EQ nob on the amp might have helped the guitar find a little more delicate place in the mix, but that is getting really really nit picky and you can tell I spend way too much time thinking about the nuts and bolts of the actual recording process.  :)

All in all Evolve is a very interesting record from SutureSelf, it surprised me in a lot of ways.  It’s far less Metal than I expected and far more Goth than I expected.  This is not a heavy record persay but a record you can put on and sit back with a nice glass of red wine and enjoy from beginning to end.  I look forward to hearing more from SutureSelf in the future.  And I hope you will too!

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Posted under Album Review, Music

This post was written by Gabe Wilkinson on September 14, 2011
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